Thormask – I Never Dreamed That ONe Day I’d Become A Grumpy Olf Nurse But Here I Am Killing It Shirt

 For the January 2004 issue of Vogue, Stella attended the Paris runway shows as a guest in the company of Sarah Mower, who noted that she had the preternatural fashion instincts of a seasoned editor. Her own wardrobe contains some of the treasures of ’90s and early 21st-century style, and she would insouciantly pair clothes borrowed from Lasnet with jewels from JAR or antique bug brooches gifted her by her grandmother. At those Paris shows, Stella admired Olivier Theyskens’s Rochas woman who she found “serene, a bit supernatural. I loved the strong structure, with softness inside, the strength and tenderness!” “I thought it was pure medical stuff at the beginning,” she said of her friend Helmut Lang, “They all had bits of bandages, prosthetics, like they’d just jumped out of their IV” and later responded to the collection’s “play of fabric, those morphic shapes, one layer peeking through another,” whilst Tom Ford’s Yves Saint Laurent was “Deco-influenced in that seventies way… And how fantastic to see those beautiful young women looking that glamorous.”

Stella had already met David Lasnet, then a photographer’s assistant, on a Mario Testino shoot. She was so smitten that when they sat opposite each other at lunch “the rice kept falling off my fork,” as she recalls, “I had to give up eating.” And when Testino teasingly told her to stop flirting with the assistant, she turned beet red and he realized that she really had been seriously flirting. Tennant and Lasnet were wed in 1999 in the small village church of Oxnam in Roxburghshire. Stella wore Helmut Lang’s first wedding dress, and when her grandmother, the Duchess of Devonshire, first saw her in it she exclaimed, “Oh darling! The bandaged bride!” It was indeed a short creation so ethereal and wispy that it was later confused for another layer of tissue paper when her mother’s own substantial wedding dress was unpacked for the exhibition House Style: Five Centuries of Fashion at Chatsworth that I curated in 2017. It had been considered lost.

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