While what Tara Donovan has installed at Pace’s enormous West 25th Street headquarters can’t very easily be described as a capriccio, it certainly deals in the fantastic. Active since the early 2000s, Donovan is known for large-scale sculptures and installations that have put her in conversation with Light and Space artists like Robert Irwin and James Turrell. Often, she has exploited the translucency of materials like drinking cups, plastic straws, and Scotch tape to transformative effect, alternately evoking earth-bound formations like stalagmites or fungal blooms and diaphanous phenomena like fog. “A single drinking straw has a very clear purpose that’s universal, but a million straws—together they become something else entirely,” she explained to The New York Times in 2018, before her retrospective exhibition, “Tara Donovan: Fieldwork,” opened at the Museum of Contemporary Art Denver. “They take on ethereal and atmospheric qualities that aren’t present when you’re just observing a single straw.”
With “Intermediaries,” Donovan picks up on that discovery and pares it back a bit. “I don’t know that any of these things are radically different” from what came before, Donovan told me of the new show. After that exhibition in Denver, which went as far back as to “a piece I did in college,” Donovan found herself mulling what, exactly, it was that she was trying to do with her work. And where did that line of inquiry lead? “I think for me, I wanted to get back to the basics,” she says.
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