It’s the culmination of many years of photographing by Salvaing who, at the ripe age of 18, left Southern France’s Camargue region for Rio de Janeiro. There, he would meet architect Oscar Niemeyer, the man responsible for the mid-century swagger of Brasília, and began photographing Niemeyer’s incredible buildings inside and out. (Salvaing’s previous two tomes were dedicated to Niemeyer, while the architect’s own home in Rio de Janeiro even makes an appearance in Interior Voyages.)
There are photographs of Milan’s Villa Necchi, built by Piero Portaluppi in the ‘30s, which command the page with hefty Italiano modernism. There are images of architect John Lautner’s triumphant Arango Residence in Acapulco—a curvaceous, cantilevered concrete structure completed in 1973 that appears on the brink of tipping into the Pacific Ocean. Page after page reveals a different design philosophy (Rationalism, modernism, Googie) in a new location (Caracas, Beirut, Abidjan) with little text other than the names of the architects, the owners, the location, and a brief description of the property.
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