On releasing a film during a pandemic in a socially-distanced manner, Jones explains, “It was different, but actually very cool. I think it was right for that movie too because the movie is instant nostalgia. The film takes place in New York and the city is used heavily, visually, in the movie. To be in Queens, at a drive-in, eating popcorn—it kinda made sense.” On the Rocks was the second major project of hers released after the world awoke to the reality of COVID. In April, Kenya Barris’s #blackAF quietly appeared on Netflix and was quickly gobbled up by audiences. “We just canceled everything, basically. We did very little press for the show because nobody had a backup plan. Zoom wasn’t a thing yet. People didn’t have the infrastructure,” she says. “The lockdown had just hit, people were in a panic. I hope that we provided people some laughs when they needed them.”
“Away has never done an ombré before and I really wanted to make that happen. It took some testing, trials, and developing to get the right color combination for it to look good and wear well. I liked the practical meeting the fantastical element of developing something that was first inspired by a thought or a feeling,” Jones explains. The jumping-off point was Jones’s home base of Ojai, California. The village rests at the bottom of a valley in the Topatopa Mountains, where the skies seem to rearrange themselves into a brilliant ombré twice a day at sunrise and sunset. “It has been said that Ojai is a spiritual vortex, whatever that means. But the way I interpret that is the minute you enter the valley, you drop down into some other frequency. It’s really hard not to unwind or think about things in a slightly different way when you’re there,” she says. For the most part, Jones has stayed put in Southern California, but her biggest pandemic-era excursion was a work trip to New York, where she attended the New York Film Festival premiere of her latest film, On the Rocks, directed by Sofia Coppola and co-starring Bill Murray. On September 22nd, the cast, crew, and more congregated at a Queens parking lot for a drive-in screening of the low-key comedy which sees Jones playing a disenchanted New Yorker whose husband might be dabbling with infidelity—she enlists her waitress-flirting father (a suave Murray) to help suss out the maybe affair. As it turns out, the premiere was Jones’s first-ever drive-in experience.
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